05 March, 2014

I Am Heresy: Thy Will – new album


The only thing Facebook is good for is its “description/influences/inspiration” thingy and I AM HERESY describe themselves there as “the blacker the sun, the darker the dawn” (I’m guessing from COIL's ‘Fire Of The Mind’) kind-of-a-band, while their label forewarns of approaching storm when addressing I AM HERESY and their new album ‘Thy Will’. Out now everywhere, March the 4th, 2014, on Century Media Records,
“on ‘Thy Will’ shimmering black metal melodies crash with chaotic 90ies-noisecore in the vein of DEADGUY and full-on thrash-treats fight vicious negativity reminiscent of clevo hardcore icons INTEGRITY. Furthermore, I AM HERESY sprinkle in dark and heavy folk elements to add a whole different dimension to their sound,” [says the label]
In order to better understand how this intriguingly described sound sounds like, do check out I AM HERESY's three new tunes below. Furthermore, ‘March Of Black Earth’ video apparently stands in defiance of the standard views of “good and evil”:
“It speaks of human exploration into a life without fear or reverence for imaginary deities, who are bent on suppressing our most natural desires. If those deities deem a lust for knowledge, freedom of our carnal self, and disobedience to be sinful, then let us become the best sinners we can be! Each suffering character in the video represents self-sacrifice, killing what is left of our self-expression. The ominous beast in the plague mask represents each character's individual oppression. Their freedom is personified by the archetype Belial, or Baal, (“without a master”) who represents an infernal innocence, freedom, and mockery of self-imposed slavery. Hear the call... Free yourself from the bondage of self-denial, and accept the gift of sin,” [appeals I AM HERESY singer Nathan Gray]
The band that insist they are not Nathan Gray's (of BOYSETSFIRE) side project, are generously giving away the tunes ‘Rahabh’ and ‘March Of Black Earth’ free of charge here. ‘Thy Will’ which is one of this year's musical highlights according to KREATOR's Mille Petrozza, awaits your order here (CM Distro Europe), here (CM Distro North America), here (I AM HERESY store), on iTunes, Amazon etc:
“The whole concept of evil, hell and purgatory is made up only for one reason: few people in power use them to create fear and link their believers to them. In the end, all of these fears are constructs to grant these people more power and wealth. Moving away from these fears, making up your own mind, and creating a view on life that’s based on knowledge and reason can be very liberating“, [appeals once more Nathan Gray]
[And again:] “Come ye daughters and sons of chaos and mystery! We intend to rebuild and create the archetypes of rebellion and revolution against self induced repression. Reveling in anthemic battle songs of lust, pride and indulgence in order to create a ritual purification from the stagnant impotence of servitude and self denial.”

Formed in 2011 by vocalist Nathan Gray in order to “live out his love for dark, violent noise”, I AM HERESY, counting guitarist and vocalist Jonah Latshaw (MAY 4TH MASSACRE and son of BOYSETSFIRE guitarist Joshua Latshaw), guitarists Simon Gray (son of Nathan Gray, MAY 4TH MASSACRE) and Gregg Kautz, bassist Jay Sin and drummer Crumbs (brothers, THE DEAD AND GONE), released their “imposing, frenetic, unrelenting and certainly unrepentant” debut self-titled full-length in 2012 on Magic Bullet Records (in Europe via End Hits Records in early 2013): 

I AM HERESY features: Nathan Gray – vocals, Jay Sin – guitar, Simon Gray – guitar, Gregg Kautz – guitar, Matt Balog – bass and Crumbs - drums

04 March, 2014

Full Album Stream: Nothing: Guilty Of Everything – new album


Influenced by a line from the play “The Balcony” by prominent and controversial French novelist, playwright and poet Jean Genet: “It’s the hour when night breaks away from the day, my dove, let me go”, or so their Facebook page says, Philadelphia's NOTHING reportedly “seamlessly merge the huge distorted guitar sound of 90s/00s alternative rock giants MY BLOODY VALENTINE and SMASHING PUMPKINS with JESU's introspective post-metal/hardcore” on their just released debut LP ‘Guilty Of Everything’. Available for your listening pleasure in full below, courtesy of Relapse Records, ‘Guilty Of Everything’, was recorded and produced by Jeff Zeigler and awaits your order here (Relapse Records store), on iTunes, Amazon, Spotify etc. This triumph of a debut that “successfully manages to be massively loud, darkly introspective and totally beautiful all at once” is being revered by the industry experts as well, with Noisey describing it as “the most complete, satisfying, and original-sounding shoegaze album since the scene that celebrated itself burnt out”, NPR saying it “is epic and stirring, even unnerving at times, but it carves a path toward enlightened serenity” and Rolling Stone and Stereogum depicting NOTHING's sound as “vast” and “enormous” respectively. So, since not much else is known about NOTHING, trust the experts' opinions and/or trust your own judgments:

Full Album Stream: Destrage: Are You Kidding Me? No. – full album stream



DESTRAGE first caught my attention back in 2011 with their ‘Neverending Mary’ video for a rather silly, personal reason and look at them now: they are all grown up and are releasing albums through Metal Blade Records. MetalSucks is streaming ‘Are You Kidding Me? No’ right here right now, so check it out; the title track features a guest appearance by Ron “Bumblefoot” Thal. DESTRAGE's third album and their Metal Blade debut is out now everywhere, March the 4th, 2014. Described as “intricate and batshit crazy” by MetalSucks and “just straight up bonkers in the best way possible” by Metal Injection, the album was recorded at RecLab Studios with Larsen Premoli and at Adrenaline Studio with Daniele Nelli. Mixing and mastering was done by Will Putney at The Machine Shop in New Jersey and the cover illustration was done by Marco Tafuri with the layout completed by The Jack Stupid. Get the latest DESTRAGE offering here (Metal Blade store), on iTunes or via Amazon.


DESTRAGE was formed in 2005 in Milan, Italy. Their debut mix of “European melodic death metal, best of American thrash/hardcore and rock ‘n’ roll, speed, core, sickness, and sometimes introspectiveness” was recorded in 2006 with Ettore Rigotti. Called ‘Self Id Generator’, the promo helped DESTRAGE land a deal with Japanese label Howling Bull. They released their debut full-length, ‘Urban Being’, in 2007 (Coroner Records distributed it worldwide from 2009 on), followed by ‘The King Is Fat'n'Old’ in 2010. Additionally: DESTRAGE “destroy, create, transform, sublimate. They worship enthusiasm and venerate the shake that it gives.” Also, they “shoot zombies in the face”.

DESTRAGE features: Paolo Colavolpe – vocals, Matteo Di Gioia – guitar, Gabriel Pignata – bass, Ralph Salati – guitar and Federico Paulovich – drums



03 March, 2014

Carnifex: Die Without Hope – new album



Although we here, myself and this blog's visitors, derive pleasure from such curious subjects as death, let us hope that all we are witnessing happening around us (world) of late will lead to better future. Honestly, the morning news these days are literally making me physically sick. Perhaps that’s why I am, like ancient Rome's public executioner (CARNIFEX), often shunned by my neighbours, heh. Yes, I - me, the queen of subtle and the mistress of blunt – eventually intend to tell you about CARNIFEX's fifth album ‘Die Without Hope’. It will be released on March 7th, 2014 in Europe and on March 4th in North America and the UK via Nuclear Blast Records. The album was recorded at Audiohammer Studios in Sanford, Florida and produced by renowned Mark Lewis, and its cover art was created by CARNIFEX's longtime collaborator Godmachine. Get the album plus the goodies here (CARNIFEX store), here (Nuclear Blast store), on iTunes, via Amazon etc:

“If you crave for crunchy breakdowns embellished with a dollop of melodiousness, dig into ‘Die Without Hope’ to savor this tasty combination. Be sure to wipe your ears afterwards!” [advises Dane Prokofiev, Pure Grain Audio - more here]


American deathcore band CARNIFEX was formed in 2005 in Fallbrook, California by vocalist Scott Lewis and drummer Shawn Cameron. Currently operating out of San Diego, CARNIFEX's debut full-length album, 2007's ‘Dead In My Arms’, produced by Chris “Zeuss’ Harris, sold over 15,000 copies despite limited publicity. Noticed by Victory Records who would release CARNIFAX's next three albums, the band, counting Lewis and Cameron plus guitarists Cory Arford and Ryan Gudmonds and bassist Fred Calderon, first recorded ‘The Diseased And The Poisoned’ which was released in 2008 and which peaked at position 19 on Billboard's Top Heatseekers chart, followed by Zack Ohren and CARNIFEX-produced ‘Hell Chose Me’ in 2010 which peaked at number 22 on U.S. Hard Rock chart. The group's fourth LP, 2011's ‘Until I Feel Stronger’ was received by mixed reviews and (perhaps thusly) CARNIFEX retired indefinitely in 2012. The state of uncertainty had ended the following year, when the band announced their reunion and the signing with Nuclear Blast Records.

CARNIFEX features: Scott Lewis – vocals, Shawn Cameron – drums, Jordan Lockrey – guitar, Cory Arford – guitar and Fred Calderon – bass




02 March, 2014

Exmortus: Foe Hammer – new video & Slave To The Sword – full album stream

EXMORTUS, who, of course, are “an entity amongst themselves and their music, both complex and thoroughly hook-laden”, have just released a new, Ron Thunderwood-directed video for ‘Foe Hammer’ off their thoroughly enjoyable album called ‘Slave To The Sword’. Equipping it with an appropriately looking cover created by legendary heavy metal painter Philip Lawvere, EXMORTUS had conjured “the kind of album you want to hear pouring from the windows of a van with a Viking fighting a demon in space painted on it” according to Revolver (more here) and the kind of album that “would make a perfect soundtrack for a non-sucky remake of Conan the Barbarian”, according to About.com (more here):
“With virtuoso guitar performances and a flare for modernizing classic speed metal, it’s an album that, despite a couple forgettable mid-tempo death anthems, looks back at a rich history of extreme music, then takes a step forward in terms of aggression and technical wizardry. EXMORTUS further prove that Prosthetic [Records] is one of today's leading merchants of thrash.”
Well, I wouldn’t know about that, but Prosthetic Records is indisputably a generous label, one that respects the potential buyer; ‘Slave To The World’, recorded with engineer/producer Zack Ohren, is therefore available for a full listen below. The album is out now in North America as CD, LP, cassette and digitally (shop for it here here/Prosthetic store), since February 2014, and is available worldwide via Amazon, iTunes and BandCamp (here): 


Formed in 2002 in Whittier, California, EXMORTUS released their full-length debut album, ‘In Hatred's Flame’, in 2008 through Heavy Artillery Records, following a string of demos and EPs. Since then, EXMORTUS' invigorating twin-guitar mix of neoclassical shred, Bay Area thrash, progressive death and traditional heavy metal has earned the group a devoted following, including that of their new label, who noticed the talented Southern California quartet after the release of their sophomore LP, 2011's ‘Beyond The Fall Of Time’: 
EXMORTUS features: Mario Mortus ( Mario Moreno) – drums, Conan (Conan Gonzales) – guitar and vocals, David Rivera – guitar and Jovanni Perez – bass 


Tesseract: Of Matter – new video

“Imperfection you will find / Look close enough / Tear off the mask I need… I don’t begin to proclaim that I know… Bless my lips for the first time before you don’t…” sings Ashe O’Hara in TESSERACT video ‘Of Matter’ which does not make me struggle with my conscience (or make me remember that terrible movie called “Prometheus” – see below). ‘Of Matter’ comes off the group's second album ‘Altered State’ which did very well for them, debuting at number 94 on the Billboard Top 200 and at number 4 on the Billboard Top Hard Rock Albums chart. Issued through Century Media Records in May 2013, ‘Altered State’ was produced, mixed and mastered by the band's guitarist Acle Kahney and bassist Amos Williams at their own 4D Sounds studio in Milton Keynes, England. TESSERACT's first full-length recording with new vocalist Ashe O’Hara, was also commented on as “a follow-up album that doesn’t just live up to their debut, but blows it out of the water” by Gregory Heaney, AllMusic (more here). The album is available as a limited special edition double CD including the album's instrumental version, as a double LP (in different vinyl color options), as a standard CD and as digital download. Kindly shop here (CM Disto Europe) and here (CM Disto North America), via iTunes or Amazon. As explained by Century Media, ‘Altered State’ is not just the second TESSERACT album; it is also a valedictory statement from a band that have always followed their own path and aimed higher than the vast majority of their supposed peers:
“For whatever reason, we’ve always felt a little out of context to our friends and peers,” [elaborated bassist Amos Williams (and he may just as well be describing yours truly, heh)] “I’m sure everyone feels that, but let’s just say we’ve never quite fit. This has been a blessing for us creatively, as it has allowed us a certain freedom. As always, on this album there appears to be a rule of contradictions. Although things are less hectic than before, they are also far more delicate and tricky. The impact is less explosive, but more shattering as a result. Mood, atmosphere, melody, and experiment are the main focus. Although it may have gone off on its own journey, it is still TESSERACT somehow."

Formed in 2003 as a studio project for guitarist Acle Kahney, TESSERACT's line-up was completed by 2007 with Jay Postones on drums, James Monteith on guitar, Amos Williams on bass and Abisola Obasanya on vocals. In 2009, Daniel Tompkins took over vocal duties and the band recorded their debut full-length ‘One’, which was released in 2011 through Century Media Records: “But perhaps most impressive of all is how naturally these many elements are meshed together, not to mention the uplifting emotions they convey against such oppressive prog metal backdrops,” wrote Eduardo Rivadavia, AllMusic (more here). In 2012, TESSERACT recorded ‘Perspective’ EP, with new vocalist Elliot Coleman who left the band mere weeks after the EP's release.
TESSERACT features: Acle Kahney – guitar, Amos Williams – bass, Jay Postones – drums, James Monteith – guitars and Ashe O’Hara – vocals 


23 February, 2014

Aenaon: Der Müde Tod – new video & Extance – new album

(So here we are, the last day of 2014 Winter Olympic Games: truth be told, following the Games on mostly muted TV set – since some – not all! - of our here commentators' and winter sports experts' expertise starts and ends with ice cubes in their drinks – is quite tiring, but thankfully ICED EARTH (their Transformers headgear-wearing soundman including) refilled the batteries with their performance yesterday.)

AENAON's ‘Der Müde Tod’, “the tired death” - as far as I know, comes off the Greek progressive black metallers' second full-length album ‘Extance’, issued through Code666 Records/Aural Music on January the 20th, 2014. The tune, its video created by Sotiris Benekos, features guest vocals by FUNERAL and IN VAIN's Sindre Nedland and saxophone by Orestis Zirinis. ‘Extance’ was recorded at Crown Studio in Greece, mixed by AENAON and their guitarist Achilleas C., mastered by Tom Kvalsvoll at Strype Audio in Oslo, Norway, while its art was created by Polish artist Lukasz Wodynski. Purchase this interesting album here (AENAON's store), on iTunes or through Amazon:

According to the official bio, AENAON was born in 2005, somewhere in the central Greece – as an idea. If I deciphered the given information properly, that  idea occurred to bassist Thyragon and guitarist Draugen. When vocalist Astrous and drummer Vanghmar comprehended that idea during the year that followed, the quartet started to work on materialising it. Achilleas C. joined the band as second guitarist in 2007 for a brief period of time and as Dagwn was brought in as his replacement, AENAON signed with the Canadian Bleak Art Records through which they released an EP entitled ‘Phenomenon’ in 2009:

Alas, Draugen and Vanghmar left the group by the end of that year and Achilleas C. was once again drafted as guitarist. A split 7” with Romanian band SATANOCHIO came out in 2010 on Floga Records/Orkestral Promenade Productions, before AENAON signed with Code666 which was to release their first proper album:

‘Cendres Et Sang’ followed in 2011 through Code666 Records, a sublabel of Aural Music. The album was recorded at Crown Studio in Greece, produced and mixed by Achilleas C. and Astrous, engineered by Pantelis Kalogiros and Stratos Kountouras, and mastered by Tom Kvalsvoll. The album featured guest appearances by vocalists Ørjan “V'gandr” Nordvik (of HELHEIM and AETERNUS fame) and DAKRYA's Thomais Chatzigianni, as well as contributions by pianists Vasilis Agiomyrgianakis and Pantelis Kalogiros and saxophonist Christos Agouridakis:

AENAON features: Astrous – vocals, Achilleas C. – guitar, Anax (J.M) – guitars, Thyragon – guitar and Nycriz – drums


20 February, 2014

Chrome Division: Lady Of Perpetual Sorrow – new video

(Norwegians started to train for Winter Olympics right after the huge ice shelf of the last ice age first melted (between 11,000 and 8,000 BC), and that’s why they top the Sochi 2014 medals table with 21 medals in total (10 gold, 4 silver and 7 bronze). And do remember, Norway is a country of a little above 5 million inhabitants – 134 of those compete in the current Olympics). CHROME DIVISION of course know the colour of their metal; this lovely although sad tune, ‘Lady Of Perpetual Sorrow’, comes off their fourth album ‘Infernal Rock Eternal’, issued through Nuclear Blast Records in January 2014. On it, Shagrath (born Stian Tomt Thoresen/of DIMMU BORGIR fame) and his merry men (Shady Blue, Damage Karlsen, Ogee Ferrari and Tony White) bring shamelessly back the memories of those awful 1980s, calling this travesty “their different side” and “their love for dirty rock and roll” (and I’m still not kidding about the 80s). CHROME DIVISION's ‘Infernal Rock Eternal’ awaits your order here (Nuclear Blast store), on iTunes, Spotify, Amazon/Amazon MP3 etc.

“For some mysterious reason (maybe long winter boredom), Scandinavians find time to start more bands - full-time and side-project - in any given week than the rest of the planet's denizens will manage in a lifetime,” writes Eduardo Rivadavia (AllMusic Guide). It actually started in the summer of 2004 for CHROME DIVISION, with DIMMU BORGIR's vocalist Shagrath and then-bassist Nagash. After enlisting bassist Björn Luna (ASHES TO ASHES), vocalist Eddie Guz (THE CARBURETORS), lead guitarist Ricky Black and after Nagash opted to bow out of the band and was replaced with drummer Tony White (“From this point it was evident that CHROME DIVISION was to be more than just a side project. From now on they were like a force, spawning stripped down groovy rock'n'roll, with a primitive attitude, also labeled as “doomsday rock'n'roll,” claims the band's official bio), out came debut album entitled ‘Doomsday Rock 'n Roll’. This 2006 Nuclear Blast release was commented by already mentioned music critic as follows:
“It must be said that the album's 12 gas-guzzling hard rock anthems are pulled off with astonishing confidence and what seems like surprising ease. Maybe it’s the freshness of working within such purely hard rock idioms that help these normally uptight black metal musicians rid the music of its inherent clichés.” [More here]
The album reached position number 31 on the Norwegian Albums Chart: 

“After a while Shagrath rejoined the CHROME guys,” reads on the band's bio, “exhausted [from] touring in the name of Satan, hungry for more rubber-smelling rock. It was time to create another CHROME album.” And accordingly, the second album, ‘Booze, Broads And Beelzebub’, followed in 2008 which Eduardo Rivadavia, AllMusic, dutifully reviewed:
“Don’t make the mistake of letting a few quick listens convince you to miss-categorize CHROME DIVISION as some outdated, Scandinavian chapter of L.A. GUNS, because buried beneath the relative simplicity of all these songs can be found frequent little reminders of DIMMU BORGIR's usual songwriting complexity - be they subtle minor chords or unforeseen dynamic shifts in the arrangements - that help to keep things interesting.” [More here:]

The Norwegian ambassadors of decadence released their third album, ‘3rd Round Knockout’, in 2011. Marcus Jervis, About.com, listened and learned the following:
“Both musically and lyrically, there is little deviation from the formula; simply a stream of snotty riffs and driving rock rhythms providing the backbeat to tales of heroic drinking, back street brawls and endless sexual conquests. Even a punked-up version of the Johnny Cash classic ‘Ghost Riders In The Sky’ is given similar treatment, proving that these boys take no prisoners.” [More here:]

CHROME DIVISION features: Shady Blue – vocals, Shagrath - guitar and backing vocals, Damage Karlsen - lead guitar and backing vocals, Ogee Ferrari – bass and backing vocals and Tony White – drums 



19 February, 2014

Adrenaline Mob: Men Of Honor – new album


ADRENALINE MOB, also known as Uomini D’Onore, are back with new album called ‘Men Of Honor’, albeit without drummer Mike Portnoy (who is currently busy drumming for THE WINERY DOGS, one of his numerous projects). First album ADRENALINE MOB recorded with the new (albeit veteran) drummer TWISTED SISTER's A. J. Pero, was produced by vocalist Russell Allen (SYMPHONY X) and shred extraordinaire/guitarist Mike Orlando at Orlando's Sonic Stomp Studios. Their first worldwide release on Century Media Records (Elm City Music covered the band's North American distribution until now), also featuring DISTURBED's bassist John Moyer, was released on February the 18th, 2014 in North America and is due on February the 24th in Europe. The band feel strongly about themselves (“Regardless of what’s changed, we are men of honor, and we will honor this entity until we die. We’re tight like brothers. This is a musical gang. The message is to stand strong with ADRENALINE MOB.”), and they want you to feel strongly about their new record (“I want everyone who listens to this to feel psyched,” conveyed Orlando, “I think it’s going to leave everybody with a variety of emotions, and there’s nothing better than getting a reaction.”). ‘Men Of Honor’ awaits your order here (CM Distro USA) and your pre-order here (CM Distro Europe), on iTunes, Amazon etc:
“The album blows open the doors of the arena with a massive show-starter intro, before ADRENALINE MOB does what its namesake suggests and engages in criminality… However, they do it with ball-outs, in-your-grill energy and oomph. The intro turns into ‘The Mob Is Back’, which is the most testosterone infused, groove and knuckle NICKELBACK song never recorded. Yes, I said it. Metal elitists can kiss my distortion pedal. … On and on the record goes with one air-drum frenzy, riff-fueled, meat and potatoes heavy rock and roll track after another. It is what one would expect from an elite group like ADRENALINE MOB. Listening to ‘Men Of Honor’ there is a sense of putting on your favorite classic band T-shirt and broken-in jeans: There may not be much new here, but what you get is fulfilling and makes you remember what you love about hard rock. The album goes from pedal-down metal to emotive and poignant moments flawlessly, and it flows with seamless continuity and soaring individual performances. In short, ‘Men Of Honor’ kills it!” [Examiner's Rustyn Rose – more here]

Although officially founded in 2011 in New York, USA, according to some reports singer Russell Allen and drum wizard Mike Portnoy knew that they would eventually work together ever since Portnoy had handpicked SYMPHONY X to play on MEGADETH's “Gigantour” in 2005. Next, Portnoy insisted SYMPHONY X tour Europe with DREAM THEATER in 2007:
“In the back of my mind, I always knew I’d love to be in a rock band with Portnoy because neither of us had done that previously,” [revealed Allen, apparently with a smile] “I watched DREAM THEATER every night, and I thought, “This guy is a rock drummer in a prog band!” He never failed to steal the show, and his energy was infectious. I was inspired by it.” [Allegedly, Portnoy was also watching Allen closely while they were on the road:] “Doing something together was inevitable.” [Portnoy somberly added:] “This is a new band with a new sound and a new beginning. Forget what everyone has done in the past. I’ll cherish and look back on my 25 years in DREAM THEATER with great pride, but it’s time for me to begin this next chapter.”
(And quite a few next chapters have begun for Portnoy since - but let us return to the matter at hand:) With the addition of guitarists Mike Orlando and Rich Ward (STUCK MOJO) and bassist Paul DiLeo (FOZZY), the group released their self-titled EP in 2011, followed by their debut album titled ‘Omertá’, which was released in 2012 through Century Media Records/Elm City Music. The 11 “bruising hard rock anthems” featured on the album landed position number 62 on the Billboard Top 200, selling over 6600 copies its first week.‘Covertà’, the follow-up EP to ‘Omertà’ came next in March 2013, turned out to be the last ADRENALINE MOB recording with rhythm guitarist Rich Ward and bass player Paul Di Leo, as well as with founding member drummer Mike Portnoy, all of whom left the band due to scheduling conflicts with their other bands. ‘Covertà’ peaked on Billboard Top 200 at position number 173.

ADRENALINE MOB features: Russell Allen - vocals, Mike Orlando - guitar, John Moyer – bass and A.J. Pero – drums

Kill Devil Hill: Leave It All Behind – new video

(Excuse me, yes, but Tina Maze (Slovenia: population 2 million approx / 7 current Winter Olympics medals in total) yesterday, Ted Ligety (USA: population 317 million approx / 21 current Winter Olympics medals in total), Patrizia Kummer (Switzerland: population 8 million approx / 10 current Winter Olympics medals in total) and Vic Wild (Russian Federation: population 143 million approx / 21 current Winter Olympics medals in total) today, surely killed the devil out of that hill.) ‘Leave It All Behind’ comes off KILL DEVIL HILL (Kill Devil Hills is an actual, existing town in North Carolina, USA, renowned for its pirating past (occurring around Kill Devil rum) and the Wright brothers' first successful powered flights) second studio album ‘Revolution Rise’, out since October 2013 on Century Media Records and which, I swear, did not purposely ignore. KILL DEVIL HILL, featuring such heavyweights as drummer Vinny Appice (former BLACK SABBATH, HEAVEN & HELL, DIO etc), bassist Rex Brown (former PANTERA, DOWN), guitarist Mark Zavon (former W.A.S.P.) and vocalist Jason “Dewey” Bragg (former PISSING RAZORS), produced ‘Revolution Rise’ along with Jeff Pilson. The album was mixed by Jay Ruston, and its art created by Sam Shearon. It sold around 2,150 copies in the USA in its first week of release and will sell much more internationally, if you buy ‘Revolution Rise’ here (CM Distro USA), here (the band's store), on iTunes or via Amazon.

Formed in 2011 in Kill Devil Hills in North Carolina by Appice, Brown, Zavon and Bragg, KILL DEVIL HILL released the supergroup's debut, self-titled album in 2012 through SPV/Steamhammer:
“Yes sir, some tasty metal is served. … That’s because KILL DEVIL HILL is not an album that requires detailed analysis to appreciate. Its sole mission seems to be one based in listener appreciation for no-frills metal/rock that grooves and hooks with just enough grit to maintain street-cred with the perpetual naysayers. Mission accomplished,” [went straight to the point Scott Alisoglu, Blabbermouth – more here:]

KILL DEVIL HILL features: Vinny Appice – drums, Rex Brown – bass, Mark Zavon – guitar, Jason “Dewey” Bragg – vocals